And that house just happens to be located a few doors down from Megan (Haley Bennett) and Scott Hipwell’s (Luke Evans) house, the very same couple that a deluded Rachel fixates on as she takes the train past their house every morning. Tate Taylor’s seemingly inevitable big screen take on the story casts Emily Blunt as Rachel, a broken woman who has been unable to get over her divorce from Tom (Justin Theroux), who has moved on with a new wife (Rebecca Ferguson) and a brand new baby, though he’s still living in their old house. READ MORE: ‘The Girl On The Train’ Review: Paula Hawkins’ Blockbuster Novel Derails On Its Way To The Screen Author Paula Hawkins’ debut novel “ The Girl on the Train” was practically engineered for bestselling success, a twisted tale that drew early comparisons to Gillian Flynn’s infectious “Gone Girl” and handily capitalized on a desire for more stories centered on so-called “unlikable” characters. The thriller unfolds in various compelling ways - playing with both timeline and narrator with ease and smarts - but its basic plotline follows alcoholic Rachel Watson after she discovers that a woman who she sees every day from her morning train commute has gone missing.
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